In 1598, a guest at the inn—the Landgrave Moritz von Hessen-Kassel—heard the young boy sing, and was so taken with his talent that he asked Schütz’s father if he could be in charge of his music education. salles Interprète & Compositeur, Francesco ArajaLes grands compositeurs baroque 1709-1770 (Baroque) Epoque baroque. Elles ont été traitées pour sélectionner les 10, 25, 50 ... compositeurs les plu… Scheidt worked with a number of other famous composers throughout his career, such as Praetorius and Schütz, and composed many volumes of sacred music that include sacred concertos and madrigals. In addition to his music, Praetorius provided an invaluable reference for researchers in the form of his three volume Syntagma Musicum (1619), a detailed compendium of observations on contemporary German music, musical instruments and performance. Interprète & Compositeur, Christoph Willibald von GluckLes grands compositeurs baroque 1714-1787 (Classique) [Musiciens de Versailles] Jean-Baptiste Lully , le musicien le plus célèbre de Versailles, a considérablement influencé les compositeurs de la Chapelle royale… ... since French organ music was later dominated by a melody-based approach. The students of the Pietà played many different instruments (as one eighteenth-century writer observed, “[They] play the violin, the recorder, the organ, the oboe, the cello, the bassoon; in fact, there is no instrument large enough to frighten them”) and were considered to be among the most accomplished performers of their time. From the start of his career, Couperin was something of a nonconformist. Interprète & Compositeur, Orlando GibbonsLes grands compositeurs baroque 1583-1625 (Renaissance) Compositeur, Antonio RosettiLes grands compositeurs baroque 1746-1792 (Classique) Although his early compositions favor the complex polyphony of the sixteenth century, he quickly abandoned this style in favor of the more modern trend toward emotional declamation and dramatic contrast, using them to great advantage in many of his sacred works. Chef d’orchestre, Interprète & Compositeur, Michel-Richard de LalandeLes grands compositeurs baroque 1657-1726 (Baroque) Bach, Rameau, Lully, Haydn, Couperin, schutz, Victoria... Pour le moment, soclassiq a répertorié plus de 18000 compositeurs. Epoque classique. Believed to be from a family of royal painters, Charpentier studied with Carissimi in Rome in the 1660s before returning to Paris around 1670. In addition to his position as maître de musique at the residence of Marie de Lorraine, Mademoiselle de Guise, which lasted until her death in 1688, he became Molière's musical collaborator when the dramatist broke with Lully in 1672. Festival Internacional de Música da Póvoa de Varzim. In 1627 Schütz also produced the first German opera, Dafne, the music of which no longer exists. Arcangelo Corelli (1653–1713):
L'oeuvre de ces musiciens a façonné l'histoire de la musique classique et de l'art lyrique. Interprète & Compositeur, Girolamo FrescobaldiLes grands compositeurs baroque 1583-1643 (Baroque) Henry Purcell (1659–1695):
The sixth son of Alessandro Scarlatti, Domenico Scarlatti likely received the best musical education Naples had to offer. Interprète & Compositeur, Giovanni Battista MartiniLes grands compositeurs baroque 1706-1784 (Classique) By 1580, and possibly as early as 1577, he was organist at the Oude Kerk; his duties there were probably to provide an hour of music twice daily in the church. Handel arrived in London as a famous opera composer, but English audiences proved resistant to the genre’s charms. Romantique. Juste après la renaissance, la musique baroque trouve son esthétique et son inspiration, elle précède la musique dite classique.De nombreux compositeurs ont marqué de leurs œuvres cette période, nous pouvons citer Salomone Rossi, Antonio Vivaldi, Tomaso Albinoni, Jean Sébastien Bach, Johan Pachelbel ou Georg Philip Teleman. Artiste lyrique & Compositeur, Heinrich Ignaz Franz BiberLes grands compositeurs baroque 1644-1704 (Baroque) Artiste lyrique & Compositeur, Pasquale AnfossiLes grands compositeurs baroque 1727-1797 (Classique) In addition to his activities at court and in the theater, Purcell was also involved with the advent of public concerts in London, and composed harpsichord suites and trio sonatas for performance at these events. Along with his stature as a composer, Corelli was considered to be one of the preeminent violin virtuosos of his day. While in Naples, Pergolesi joined Alessandro Scarlatti in pioneering the changes underway in the genre of opera, particularly in the new opera buffa (comic opera). Chef d’orchestre & Compositeur, Johann SchobertLes grands compositeurs baroque 1720-1767 (Baroque) Voir plus d'idées sur le thème compositeurs, musique, éducation musicale. Born in Magdeburg in 1681, Telemann came from a family long connected with the Lutheran church: his father was a clergyman, his mother the daughter of a clergyman and his elder brother also followed in the family’s footsteps. Chef d’orchestre, Interprète & Compositeur, Turlough O'CarolanLes grands compositeurs baroque 1670-1738 (Baroque) Interprète & Compositeur, Georg BöhmLes grands compositeurs baroque 1661-1733 (Baroque) Inscrivez-vous (ou connectez-vous) pour épingler vos sujets favoris et les suivre facilement, pour épingler des articles d'actualité et des vidéos à lire plus tard. Interprète & Compositeur, Jacopo PeriLes grands compositeurs baroque 1561-1633 (Renaissance) Chef d’orchestre, Interprète & Compositeur, Giuseppe SammartiniLes grands compositeurs baroque 1695-1750 (Baroque) In 1609, the landgrave gave Schütz a grant to travel to Venice, where he studied composition with Giovanni Gabrieli until 1613. Many of his organ compositions were written during this period, including the Orgelbüchlein, as well as some of his cantatas. In the final decade of his life, Rameau focused more on theory than on actual composition, corresponding with other important music theorists including Johann Mattheson. Interprète & Compositeur, Heinrich schutzLes grands compositeurs baroque 1585-1672 (Baroque) Telemann’s destiny lay elsewhere, however. Compositeur, Pietro Filippo ScarlattiLes grands compositeurs baroque 1679-1750 (Baroque) Artiste lyrique & Compositeur, Hans Leo HasslerLes grands compositeurs baroque 1564-1612 (Renaissance) Interprète & Compositeur, Pietro LocatelliLes grands compositeurs baroque 1695-1764 (Baroque) Bach embarked on the next phase of his career in 1717, when he became the Music Director for the Prince Leopold of Cöthen (1717–1723). Born in Venice, Antonio Vivaldi was trained in music as a child, but was ordained as a priest in 1703. Interprète & Compositeur Oeuvres clésOeuvres complètes, Jean-Féry RebelLes grands compositeurs baroque 1666-1747 (Baroque) Chef d’orchestre, Interprète & Compositeur, Pierre-Alexandre MonsignyLes grands compositeurs baroque 1729-1817 (Classique) La musique instrumentale française. He was also well known among his contemporaries for his instrumental music, particularly his chorale preludes and fantasias for keyboard. Chef d’orchestre & Compositeur, John GayLes grands compositeurs baroque 1685-1732 (Baroque) It was in this city that his first two operas, Almira and Nero, were produced in 1705, followed by Daphne and Florindo in 1708. One of his most ambitious was the three-installment Tafelmusik(Table Music), on whose list of subscribers was “Mr. Les connaissances disponibles sur les musiciens sont pourtant colossales. In his publications of harpsichord music Couperin grouped his works into ordres rather than the more typical suites, and often eschewed the usual dance movements in favor of evocative pièces de caractère. His growing reputation in Leipzig angered Kuhnau, the city’s music director and Bach’s predecessor, who was particularly unhappy that student musicians seemed more interested in working with Telemann on opera productions than in participating in church music. Johann Hermann Schein (1586–1630):
After studies in music and in law, Schein held positions as house music director at Schloss Weissenfels and Kapellmeister to Duke Johann Ernst the Younger at Weimar before succeeding Calvisius in 1616 as music director and cantor at the Thomaskirche in Leipzig, a position J. S. Bach was to hold over a century later. Interprète & Compositeur, Johann Ludwig KrebsLes grands compositeurs baroque 1713-1780 (Classique) Interprète & Compositeur, Matthew LockeLes grands compositeurs baroque 1621-1677 (Baroque) Chef d’orchestre, Interprète & Compositeur, Sylvius Leopold WeissLes grands compositeurs baroque 1687-1750 (Baroque) Early in 1710, Handel left Italy to become Kapellmeister to the Elector of Hanover, George Louis, who became King George I of England in 1714. Alors : Haydn (compositeur autrichien) ou Bartholdy (compositeur) ? Interprète & Compositeur, Johann Christoph Bach IIILes grands compositeurs baroque 1671-1721 (Baroque) Interprète & Compositeur, Arcangelo CorelliLes grands compositeurs baroque 1653-1713 (Baroque) Heinrich Schütz (1585–1672):
Monteverdi wrote some of the most influential compositions of the early baroque, including the famous 1610 Vespro della Beate Vergine (Vespers of the Blessed Virgin) and nine books of secular madrigals published between 1587 and 1651. Frescobaldi composed a small amount of vocal music, but it was his compositions for the keyboard—which included a number of toccatas, canzonas, ricercars and capriccios—that influenced composers well into the 18th century—particularly J. S. Bach, who owned his collection of organ works for performance during Mass entitled Fiori musicali (1635). A student of Giacomo Carissimi in Rome, Alessandro Scarlatti became the maestro di cappella of the viceroy of Naples in 1684 perhaps by way of his sister, an opera singer and the mistress of an influential Neapolitan noble. The work was so successful that the Burgomaster of Leipzig commissioned him to write a new piece for the choir of St. Thomas every fortnight. Others were published for purchase by subscription, like the Op. Ses caractéristiques sont l'expérimentation musicale, harmonie et contrepoint technique, ce qui rend l'utilisation de plusieurs mélodies simultanées, qui se déplacent ensemble ou dans des directions opposées, mais résolvent à l'accord de tonique. Compositeur, Antonio LottiLes grands compositeurs baroque 1667-1740 (Baroque) Artiste lyrique & Compositeur, Christoph GraupnerLes grands compositeurs baroque 1683-1760 (Baroque) Rameau’s early operas, including Hippolyte and Aricie(1733), were also the subject of controversy, sparking a lengthy debate between the old-fashioned Lullists and the avant-garde Ramists over the identity of “French opera.”. Artiste lyrique & Compositeur, Barbara StrozziLes grands compositeurs baroque 1619-1679 (Baroque) II) and the *Goldberg *Variations (Vol. Chef d’orchestre, Artiste lyrique, Interprète & Compositeur, Marc-Antoine CharpentierLes grands compositeurs baroque 1643-1704 (Baroque) woodwind trio (3 flutes, or 2 flutes/1 clarinet, or flute/oboe/clarinet) — score — Classic, Baroque, Romantic and Contemporary. Interprète & Compositeur, Sigismondo d'd'IndiaLes grands compositeurs baroque 1582-1629 (Renaissance)